Juan Monroy
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  1. Home
  2. American Film Industry
  3. American Film Industry: Class 14: Hollywoods Second Century

American Film Industry: Class 14: Hollywoods Second Century

  • 1 Conglomerates
    • 1.1 a large company with holdings in multiple media industries
      • film
      • television
      • radio
      • music
      • publishing
      • Internet
    • 1.2 maintain control over
      • production
      • distribution
      • exhibition/consumption
    • 1.3 Media Conglomerates
      • 1970s conglomerates were from a variety of industries
        • Kinney National
        • Gulf and Western
        • Coca Cola
      • Modern media conglomerates
        • strictly media companies
        • “synergy”
        • use content from one medium in another
    • 1.4 Big Six
      • Time Warner
        • Warner Brothers
      • News Corporation
        • 20th Century Fox
      • Comcast
        • Universal Pictures
      • Walt Disney
        • Walt Disney Pictures, Miramax, Pixar
      • CBS-Viacom
        • Paramount
      • Sony
        • Sony Pictures (formerly Columbia Pictures)
    • 1.5 Holdings of Big Six
      • Movies
      • Television
      • Music
      • Theme Parks
      • Newspapers
      • Magazines
    • 1.6 New New Blockbusters
      • Four “S” of blockbuster movie scale
        • size
        • scope
        • speed
        • sound
      • Financial Focus on…
        • production costs
        • marketing
        • box office revenue
      • franchise films
        • sequels and prequels
        • based in popular literature
        • adaptations of TV, Comic Books
      • appeal to widest possible audience
        • lowest common denominator
        • international audiences around the world
  • 2 Marketing
    • 2.1 follows consumer research methods
      • focus groups
      • test screenings
    • 2.2 advertising intensity
      • begin marketing 6–8 months before a film’s release
    • 2.3 trailers
      • teaser trailer
      • story trailer
    • 2.4 Whither the auteur?
      • is the filmmaker the author?
      • is it the marketing department?
      • is it the test audiences?
  • 3 Distribution
    • 3.1 saturation release
      • “In Theaters Everywhere…”
      • 4,000 - 5,000 screens
      • domestic revenue heavily based on the opening weekend
    • 3.2 marketability vs. playability
    • 3.3 popularity of box office returns
      • everyone seems to know what the highest grossing films of a weekend
  • 4 Innovations in Exhibition
    • 4.1 reliable exhibition platforms
      • film
      • VHS
      • digital video
    • 4.2 multichannel sound systems
    • 4.3 stadium seating
  • 5 Technology
    • 5.1 IMAX screenings of popular films
    • 5.2 Three Dimension
      • Dolby Digital 3D
      • Real 3D
    • 5.3 Hight Frame Rate
      • 48 fps
      • The Hobbit files.hfrmovies.com—The_Hobbit_An_Unexpected_Journey_Trailer.m p4 <http://files.hfrmovies.com/The_Hobbit_An_Unexpected_Journey_T railer.mp4>
      • David Bordwell on “The Gearheads”www.davidbordwell.net—the-gearheads http://www.davidbordwell.net/blog/2012/05/13/the-gearheads/
    • 5.4 Direct to Home
      • the failed experiment of Tower Heist
      • Comcast cable subscribers
      • Universal Pictures
      • National Association of Theater Owners (NATO) protested
  • 6 Piracy
    • 6.1 MPAA Content Thefts mpaa.org—types-of-content-theft http://mpaa.org/contentprotection/types-of-content-theft
      • Camcorder
      • Optical Disc
      • Theatrical
      • Peer-to-Peer
      • Streaming
      • Screener Theft
      • Signal Theft
      • Illegal Public Performance
    • 6.2 Combating Online Infringements and Counterfeits Act" (COICA)
      • allowed the Attorney General to censor the Internet in the name of copyright enforcement
    • 6.3 Stop Online Piracy Act (SOPA)www.eff.org—coica-internet-censorship-and-copyright-bill <https://www.eff.org/issues/coica-internet-censorship-and-copyrigh t-bill>
      • Internet Blacklist
      • Target List
    • 6.4 The Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act (PROTECT IP or PIPA)
      • Injunctions against websites
      • Third-party providers can be subject to court orders
  • 7 All designed to combat declining theatrical audience

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