Juan Monroy
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  1. Home
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  3. American Film Industry
  4. American Film Industry: Class 11, New Hollywood

American Film Industry: Class 11, New Hollywood

  • 1 Motion Picture Ratings System
    • 1.1 MPAA
    • 1.2 November 1968
    • 1.3 CARA
    • 1.4 Four Age-Based Ratings
      • G
      • M
      • R
      • X
    • 1.5 Films were no longer “something for everyone”
  • 2 Rise of Adult Film
    • 2.1 Mainstreaming of Adult Films
    • 2.2 Deep Throat
    • 2.3 Devil in Miss Jones
    • 2.4 Behind the Green Door
    • 2.5 Opening of Misty Beethoven
  • 3 Moguls Retire
    • 3.1 Darryl Zanuck
      • 20th Century-Fox
      • 1933–1971
    • 3.2 Adolph Zukor
      • Paramount
      • founded Famous Players, 1912
      • retired from Paramount, 1959
      • chairman emeritus until death in 1973 (103 years old)
  • 4 Conglomeration
    • 4.1 Hollywood studios losing money
      • TV siphoning audience
      • loss of relevance among middle-brow viewers
    • 4.2 Paramount
      • Gulf Western, 1966
    • 4.3 Warner Brothers
      • Seven Arts, 1967
      • Kinney National, 1969
    • 4.4 MGM
      • Edgar Bronfman, 1967
      • Kirk Kerkorian, 1969
  • 5 New Hollywood, New Freedom
    • 5.1 New generation of moguls had no idea how to make movies
    • 5.2 Moguls allowed filmmakers to make movies, hoping for great returns
  • 6 Easy Rider (1969)
    • 6.1 Dennis Hopper, director
    • 6.2 American Independent Pictures
    • 6.3 Launched countercultural movement in film
    • 6.4 $400k in budget, $60M in box office
  • 7 Hollywood Auteurs
    • 7.1 New breed of filmmakers
      • Coppola
      • Altman
      • Scorcese
    • 7.2 Reinvented older filmmakers
      • Stanley Kubrick
      • William Friedkin
      • George Lucas
  • 8 The Godfather (1972)
  • 9 Transformation of Genre
    • 9.1 old genres made new
    • 9.2 gangster film
    • 9.3 film noir
    • 9.4 musicals
    • 9.5 westerns
  • 10 Themes
    • 10.1 adult themes
    • 10.2 socially relevant
    • 10.3 more frank and candid
  • 11 Narration
    • 11.1 relationship between story and screen
    • 11.2 events told in unconventional ways
    • 11.3 flash forward in the Godfather
  • 12 Cinematography
    • 12.1 close ups
    • 12.2 zooms
    • 12.3 framing techniques
  • 13 Mise-en-Scène
    • 13.1 hard to generalize
    • 13.2 contemporary costuming
    • 13.3 modern subjects and settings
  • 14 Editing
    • 14.1 dis-continuituous editing
    • 14.2 jump cuts
    • 14.3 breaking of 180° rule
  • 15 Sound
    • 15.1 contemporary music
    • 15.2 exploitation of multichannel sound
    • 15.3 sound bridges, made possible by multitrack recording technology
  • 16 End of the New Hollywood Era
    • 16.1 Apocalypse Now (1979)
    • 16.2 Heaven’s Gate (1980)
    • 16.3 United Artists bankruptcy and sale to MGM

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