Juan Monroy
  • Curriculum Vitae
  • Courses
  • Elements of Film Style
  • Connect
    • Personal
    • Queens College
    • LaGuardia CC
    • Pratt Institute
    • Office Hours (CUNY)
    • Office Hours (Pratt)
    • Personal Site
    • Courses Blog
    • Pay Me with Square Cash
    • Pay Me with PayPal
    • Letterboxd
    • Pinboard
    • Instapaper
    • Flickr
    • Instagram
    • Ride with GPS
    • YouTube
    • Vimeo
    • Student Association of Cinema Studies at NYU
    • Robots Softball
  • Documentary Film
  • Contemporary Media
  • Media Criticism
  • Film and New York City
  1. Home
  2. Courses
  3. Introduction to Electronic Media
  4. Electronic Media: Class 8, Network TV

Electronic Media: Class 8, Network TV

  • 1 Three Network Oligopoly
    • 1.1 NBC
    • 1.2 CBS
    • 1.3 ABC
    • 1.4 filled VHF band
    • 1.5 controlled television production
    • 1.6 evenly split throughout 1960s, 1970s
  • 2 Television Station Types
    • 2.1 Owned and operated
    • 2.2 Network affiliates
    • 2.3 Independent television stations
    • 2.4 Public television stations
  • 3 Relevance
    • 3.1 growing youth audience
    • 3.2 Rowan and Martin’s Laugh-In (NBC 1968–1973)
    • 3.3 Smothers Brothers Comedy Hour
    • 3.4 Dragnet
  • 4 Primetime access rules
    • 4.1 PTAR
    • 4.2 stations in top–50 markets
    • 4.3 first hour of prime-time
      • 7:00 PM
      • Mon-Sat
    • 4.4 not take the network feed
    • 4.5 produce their own local programming
  • 5 Financial Rules on Syndication
    • 5.1 Fin-Syn
    • 5.2 financial
      • network could only own 15 hours of non-news programming
      • production companies could remain independent
    • 5.3 syndication
      • networks acquired only first- and second- runs
      • ownership of television programs remained with the producer
  • 6 Independent Production
  • 7 Norman Lear “relevant series”
    • 7.1 All in the Family
    • 7.2 Maude
    • 7.3 Good Times
    • 7.4 The Jeffersons
  • 8 Mary Tyler Moore Show (CBS, 1970–1977)
  • 9 Independent TV stations
    • 9.1 UHF band
    • 9.2 stations unaffiliated with broadcast networks
    • 9.3 thrived with first-run syndicated programming
  • 10 Cable TV
    • 10.1 CATV
      • began as community antenna television, 1940s
      • distant signal importation
      • local systems began to consolidate as MSOs
    • 10.2 broadcasters saw cable systems as competitors
    • 10.3 must-carry rules
    • 10.4 access rules
      • public
      • educational
      • government
  • 11 satellite cable
    • 11.1 Open Skies order, 1972
    • 11.2 launching of communication satellites
    • 11.3 cable seen as alternative to broadcasters
  • 12 cable technologies
    • 12.1 “Blue Sky” advocates for cable TV
      • policy reformers and think tanks
      • social action groups
      • cable operators
    • 12.2 interactive television
      • access libraries of information
      • conduct financial transactions
      • exchange electronic mail
    • 12.3 QUBE
      • interactive television
      • Warner-AMEX
      • introduced 1977
      • failed to find commercial success
  • 13 Ted Turner
    • 13.1 WTCQ-TV Atlanta
    • 13.2 leased transponder on Satcom I
    • 13.3 launched WTBS-TV Atlanta as a national superstation
      • off-network syndicated programming
      • sports programming
      • no news programming
    • 13.4 dual-revenue
      • advertising (as in broadcasting)
      • subscriber fees from cable distributors
  • 14 Music Television
    • 14.1 Warner-AMEX Cable
    • 14.2 launched August 1981
    • 14.3 free programming: music videos
    • 14.4 young audience
    • 14.5 influenced network television style

Unless otherwise noted, © 2006–2026 Juan Monroy. Written in HTML5 and CSS. Built with BBEdit and Bootstrap. Hosting by Reclaim Hosting. Domain registration by Hover. Fonts by TypeKit. I use affiliate links when linking to iTunes and Amazon: I earn a small commission based on purchases made through those links.